{"id":2120,"date":"2013-06-22T18:11:07","date_gmt":"2013-06-22T18:11:07","guid":{"rendered":"https:\/\/kotarbinski.wordpress.com\/?p=2120"},"modified":"2019-02-14T19:21:02","modified_gmt":"2019-02-14T19:21:02","slug":"stan-swiadomosci","status":"publish","type":"post","link":"https:\/\/kotarbinski.com\/blogomarketingu\/stan-swiadomosci\/","title":{"rendered":"Stan \u015bwiadomo\u015bci"},"content":{"rendered":"

Poranne \u015bniadanie. Grupki starszych Niemc\u00f3w, powoli schodz\u0105 si\u0119 do restauracji w hotelu Ibis Stare Miasto w Warszawie. Z talerzykami, miseczkami i sztu\u0107cami siadaj\u0105 twarz\u0105 do okien. Jedz\u0105 w milczeniu. Naprzeciwko widnieje Pomnik Pomordowanym i Poleg\u0142ym na Wschodzie. Krzy\u017ce na kolejowej platformie. Nie spos\u00f3b ich nie widzie\u0107. Co my\u015bl\u0105 Ci ludzie? Czy maj\u0105 jak\u0105kolwiek refleksj\u0119, \u017ce Polska by\u0142a eksterminowana z obu stron?<\/p>\n

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Kiedy pojawi\u0142y si\u0119 pierwsze wzmianki o filmie „Unsere M\u00fctter, unsere V\u00e4ter<\/a>” uda\u0142o mi si\u0119 obejrze\u0107 go w oryginale. Sama historia przypomina\u0142a mi polski film „Jutro idziemy do kina<\/a>„. Produkcj\u0119 ZDF zrealizowano rzeczywi\u015bcie z rozmachem i kanonem wsp\u00f3\u0142czesnych produkcji wojennych. Niemniej dyskusje i protesty, kt\u00f3re pojawi\u0142y si\u0119 po niemieckiej i w tym tygodniu – polskiej emisji filmu, obudzi\u0142y demony stereotyp\u00f3w, kt\u00f3re dr\u0105\u017c\u0105 jak korniki umys\u0142y obojga narod\u00f3w. Wiele o nich dyskutowano, cz\u0119sto chaotycznie, emocje bra\u0142y g\u00f3r\u0119. Zapomniano o jednym – \u017ar\u00f3d\u0142ach ich powstania.<\/p>\n

Wiele lat temu polubi\u0142em literatur\u0119 Kirsta<\/a>. Zawsze interesowa\u0142y mnie mechanizmy ow\u0142adni\u0119cia narodu jak\u0105\u015b skrajn\u0105 ideologi\u0105. Jak to by\u0142o mo\u017cliwe, \u017ce nieomal\u017ce ca\u0142e spo\u0142ecze\u0144stwo zafascynowa\u0142o si\u0119 nazizmem? A mo\u017ce cz\u0119\u015b\u0107 po prostu ba\u0142a si\u0119 przyzna\u0107 \u017ce my\u015bli inaczej? Tw\u00f3rcy systemu wykorzystali \u00f3wcze\u015bnie wszelkie dost\u0119pne narz\u0119dzia i wiedz\u0119 o masowej propagandzie, by zmienia\u0107 spo\u0142eczne pogl\u0105dy i nastawienie. Wyprano po prostu m\u00f3zg ca\u0142emu narodowi, rozbudowuj\u0105c r\u00f3wnocze\u015bnie system kontroli i terroru. A mo\u017ce dla wielu ujawniono tylko ukryte, nacjonalistyczne aspiracje? Po stronie wschodniej, system sowiecki robi\u0142 dok\u0142adnie to samo. Nasza \u015bwiadomo\u015b\u0107 by\u0142a r\u00f3wnie\u017c uwarunkowana propagandowym fa\u0142szem nazizmu i stalinizmu. Przez ca\u0142y okres socjalizmu, karmiono Polaka ideologicznym mitem \u017co\u0142nierza polskiego – nieustraszonego bohatera- zwyci\u0119zc\u0119 i \u017co\u0142nierza niemieckiego – fanatycznego nazisty, mordercy i bezrefleksyjnego kata. Zapomniano o tym w dyskusjach po emisji filmu „Nasze matki, nasi ojcowie”. W socjalistycznej Polsce nie by\u0142o miejsca na wojenne filmy dyskusyjne, nie mieli\u015bmy naszego „Plutonu<\/a>„, „Czasu Apokalipsy<\/a>” czy „Full Metal Jacket<\/a>„. By\u0142y za to epopeje, filmy martyrologiczne, przygodowe czy komedie, a p\u00f3\u017aniej optyka koncentrowa\u0142a si\u0119 na relacjach AK-AL czy sowieckich prze\u015bladowaniach. Niemiec w polskiej kinematografii wojennej prezentowany by\u0142 najcz\u0119\u015bciej jako zaci\u0119ty nazista. Polak z kolei w kinematografii nigdy nie by\u0142 antysemit\u0105. Dopiero filmy „Pok\u0142osie<\/a>” czy „W ciemno\u015bci<\/a>” ujawniaj\u0105 t\u0119 kwesti\u0119.<\/p>\n

Problematyk\u0119 relacji polsko-niemieckich poruszaj\u0105 „S\u0105siedzi<\/a>” czy cho\u0107by klasyk „Wolne Miasto<\/a>„. Wsp\u00f3\u0142cze\u015bnie bliskie im s\u0105 „Wr\u00f3\u017cby kumaka<\/a>„. Ale trudno w nich doszukiwa\u0107 si\u0119 obiektywizmu. Temat ukazania skomplikowanych relacji s\u0105siedzkich wci\u0105\u017c czeka na swojego tw\u00f3rc\u0119. Zawsze wyobra\u017ca\u0142em sobie film o Gda\u0144sku, \u0142\u0105cz\u0105cy obron\u0119 Poczty Polskiej i Westerplatte, zrealizowany w konwencji „Sztandar Chwa\u0142y<\/a>„\/ „Listy z Iwo Jimy<\/a>” czyli r\u00f3wnoczesna perspektywa obu stron. Polsko-niemiecka produkcja o Gda\u0144sku mog\u0142aby sta\u0107 si\u0119 przyczynkiem do obalania stereotyp\u00f3w. Polacy i Niemcy nadal zbyt ma\u0142o o sobie wiedz\u0105.<\/p>\n","protected":false},"excerpt":{"rendered":"

Poranne \u015bniadanie. Grupki starszych Niemc\u00f3w, powoli schodz\u0105 si\u0119 do restauracji w hotelu Ibis Stare Miasto w Warszawie. Z talerzykami, miseczkami 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